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Mario Filippeschi (June 7, 1907, Montefoscoli - December 25, 1979, Florence) was an Italian tenor, particularly associated with the Italian repertory, renowned for his ringing upper register. Filippeschi studied the clarinet for two years as a teenager, before joining military service. After military discharge he began studying voice with a Neapolitan teacher, Mr. Vicidomini, in Milan, and later with Mr. Pessina, in Florence. He made his professional debut in Colorno, near Parma, as Edgardo in ''Lucia di Lammermoor'', in 1937. He quickly sang throughout Italy, France, Spain and Portugal, as well as Latin America. He first concentrated on lyrical roles such as the Duke in ''Rigoletto'', Alfredo in ''La traviata'', Rodolfo in ''La Bohème'', Pinkerton in ''Madama Butterfly'', etc., and was one of the few tenors of his generation to tackle with success such high lying roles as Arnold in ''Guglielmo Tell'' and Arturo in ''I puritani''. After the war, he began adding more dramatic roles to his repertory. In 1950, he appeared to great acclaim in Mexico, as Radames in ''Aida'', and as Cavaradossi in ''Tosca'', opposite the young Maria Callas. Other notable roles included; Manrico in ''Il trovatore'', Arrigo in ''I vespri siciliani'', Alvaro in ''La forza del destino'', Calaf in ''Turandot''. Filippeschi made several recordings, notably Pollione in ''Norma'', opposite Maria Callas, and Carlo in ''Don Carlos'', opposite Tito Gobbi and Boris Christoff. A handsome man, Filippeschi also appeared in film versions of ''Lucia di Lammermoor'' and ''Rigoletto'', in 1946. == Sources == * Roland Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition), ''Guide de l’opéra'', Les indispensables de la musique (Fayard, 1995). ISBN 2-213-59567-4 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Mario Filippeschi」の詳細全文を読む スポンサード リンク
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